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Do not miss the inevitable!

Launching a new magazine preprints of BD is an event. For several years, the landscape of comics news is devastating effect: it remains Spirou for children Lanfeust Mag for fans of fantasy and Fluide Glacial for humor. Problem, not only do these magazines are highly targeted but they also belong to publishers (Dupuis for the first, second and sun for the last Casterman). With the inevitable , Frédéric Bosser, creator of the journal DBD , attempts a daring: to propose preprints album in preview and in full on three or four numbers. Above all, the inevitable being bound to any vendor, the proposed series will be drawn from different catalogs, which will vary the genres and themes. A priori not be published until the first books or series whose episodes can be read independently.

Question form The unavoidable is the simplest: a thematic, a short interview of author before each published title for the rest, nothing but boards BD. Roughly one third of editorial for two thirds of preprints.

air of nothing, if we do the accounts, the amateur comic a bit curious given the opportunity to discover new all very different at lower costs. Each issue costing € 6.50 and pre-published seven albums have been entirely from the 3rd issue. € 19.50 to read as many comics, hard to beat!

Personally, the first two numbers are in my PAL. From March 20, I could get into the reading of seven new titles to appear or have appeared only bookshops. Perhaps new discoveries to share in the BD Wednesday Mango ?

Go To conclude, a short overview of these preprints in the first issue:

Philip Francis and T2 by Veys and Barral (Dargaud)
Pavilion T1 black by Corbeyran and Bingono (Sun)
Shields of Mars T1 by Chillet and Gine (Glénat)
Store T1 sexual by Turf (Delcourt)
A bag of marbles T1, and Kris Bailly (Futuropolis)
Legend Horacio Alba T1, by Le Gray and Siner (12a)
The T1 guilty innocent, and by Galandon Anlor (Bamboo / Wide Angle)

The unavoidable. Published monthly. 144 pages. 6.50 euros.

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Legends T2 Guard: Winter 1152

Winter 1152. Mice that live in the territories are a community divided between different villages built in safe places and hidden from predators. To facilitate the exchange of goods and to protect themselves, small rodents were created in ancient times an elite corps, the Guard. Its members are escorts, serve as scouts and sentries. They protect the borders and are particularly fierce fighters. Having foiled the attempted takeover of felon Midnight (in Volume 1), mice face a terrible winter. Noting the lack of food and medicines, Gwen, the matriarch of the Guard, sending eleven adventurers face the dangers of a hostile environment to ensure the faster refueling ...

David Petersen is a party any idea simple: the mouse, too small to go with other animals, have formed a community can live in total isolation. But how can they survive in a world where predators abound? Answer: Based on an elite corps desperate to protect his family. On this canvas rather brief, it has forged a coherent political and social organization while creating endearing characters to the characters well marked. Above all, he did not fall into the trap of making disneyien his narrative a trifle bland. His series aimed at children but he does not hesitate to stage a terrible battles that do not leave free the protagonists. His mice suffer, they die. Their environment is not sweet and warm, it is very rude. It is also the difference between drawing very animal oriented "youth" and the content sometimes difficult to give a stamp to these very special Legends custody.

Drawing precisely, let's talk! The author proposes a sheet size atypical, almost square. He does not hesitate to make huge spaces where details abound and above or no room is left for any error of perspective or proportion failing to jump to the reader. Result is sublime, simply. Movement the camera is incredibly fluid. Plans succeed, the more exciting one than the other. Anything goes: very close, snorkeling, diving cons, full-page illustration ... A real drawing lesson at the service of storytelling that avoids the pitfalls of pure technical demonstration. The work on the colors is also impressive. The pages are held outside in the snow are chilling and those in an obscure underground are distressing to perfection. Restitution environments based on settings is nearly perfect.

Not much to add. It's beautiful, very beautiful. Not original on the merits, of course. But perfectly clear and led in its construction. I do not know what to look like in their original volumes but for the French edition, Gallimard brought out the big game: square format, thick cardboard, map territories page, high quality paper, and bonus epilogue end authority, in short, something wonderful book.

between Tolkien and Beatrix Potter, a young comic book of exceptional quality.

PS series in 2008 won two Eisner Awards, the most prestigious American comics (the best price youth publication, Best graphics).

Legends T2 Guard: Winter 1152 David Petersen, Gallimard, 2011. 162 pages. 20.00 euros.

The more info: For fans of the originals, be aware that David Petersen on his site sells some of its planks. It takes more than $ 300 (excluding postage). Some French fans have already purchased and have no regrets so his work in black and white is dazzling. To discover the work available yet, visit the official page of Mouse Guard .

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walls, plant

Behind the walls, he yal'usine. The deafening noise, the inferno. Fatigue. The coffee and juice disgusting. Some friends too. And occasionally the satisfaction of seeing a retreat from, even if it is a mess. There are also managers, chiefs, deputy chiefs, these assholes who pretend to bring you any attention but interested only in the fact that you produce the number of documents specified in the day. At the factory, the rewards are rare. When the bike falls bay for example. Better, if we bribe the adjuster with some sweets for him to do the repairs last, we can gain two hours. Finally, the factory, the ideal would be to leave. But how, when there is nothing in his hands, not a diploma?

A man wearing a wry look on his status as a worker. Not necessarily anger or protest, he says, simply. He reviewed a few moments forts are shaking up the humdrum as the strike or open houses. It also focuses on his life outside the factory: a woman, he probably never loved. A teacher who sexually fills. And then the image of the father, who died recently.

The text of Robert Piccamiglio speaks to me. I had the chance to spend some months at the factory to pay for my studies. I say lucky because nothing has given me more desire to succeed in the competition which today make me a servant of business that satisfies. I remember waking in the middle of the night to meet, at dawn, eyes glued, standing before a machine that not waiting for you by asking you how you go to hang on for eight hours. And these workers, or expansive taciturn, angry or a little neurasthenic, most endearing.

Far from the clichés by journalists, speeches formatted policies and trade unionists, Robert Piccamiglio, who spent more than thirty years at the factory, walks the reader through the loneliness and anguish of the worker. Proletarian literature like no more in the tradition of the great old Navel and Poulaille and head.

walls, plant Robert Alexie, Alpheus Publishing, 2010. 220 pages. 19.90 euros.

The more info: R. Piccamiglio had published a text entitled Chronicles first years of plant Editions Albin Michel in 2002. The back cover goes with any comments: The rain and cold of early morning, the heady smell of the coffee machine, a slow business day, waiting for the weekend and holidays, photos naked girls that are looking to think of something else ... The plant which Robert talks Piccamiglio is not the journalists, sociologists or bosses, or even that of "workers", as union leaders say. It is an immense space and hostile devours a third of the life of a man, a noise zone, anxiety and boredom, he'll have to fight every day, wait, perchance to dream .. . These pages loneliness, rebellion, secret love, too, evoke a world totally unknown to most of us. Because it almost never happens, because the hum of machinery and fatigue, a worker becomes writer.

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Sir Dimitri

Yvette and Jules chickens go for the first time on holiday in the seaside Once on the beach, the small farmer instructions are clear: "I do not want to see anyone get away from the beach, we're not going in rocks, and when we no longer walk in the water, turned around and come back .... " But Yvette and Jules will disobey and cross the rocks to find shells. When the tide rises, small chickens are trapped by the flood. They owe their salvation to an albatross and a whale ... singer

Through a simple story, Isabella embarks Bonameau its readers a walk along the way which should delight. These chickens are disobedient greeted with uncommon kindness by Dimitri, the whale with a big heart. The latter symbolizes the womb and cozy protector in which nothing can happen. Solidarity, mutual support and kindness, here filigree themes addressed by this small text.

An ideal way for children beginning to read alone. The difference between dialogue and narration is well marked, while the line spacing and font size are ideal. The downside, however, numerous hyphenation of words at the end of the line can be a handicap for those who still experience some difficulty deciphering.

Anyway, the maritime adventures of Jules and Yvette would no doubt satisfy fans of the open ocean.

Sir Dimitri Bonameau Isabella, School of Leisure, 2011. 46 pages. 7.50 euros. From 6 years if you like to read alone.

The more info: Sir Dimitri is the third adventure of the twins and Yvette Jules . The two previous labeled Wolf who ate soup and silly strawberry appeared in 2000 and 2007 respectively.